Boombox
visual audio mixing& extensive sfx library
Trusted worldwide in production workflows
45 packs & counting.
2,000+ searchable tags.
15,000+ sound effects.
Listen to all packs
The Library
45 packs, 15,000+ sounds, 2,000+ tags, and every one of them plays before you download a thing. Sounds stream on demand, so you can audition the whole library first and only download the packs you keep.
Favorites
Favorite a sound from a pack, a search or your own imports and it collects in Favorites. One toggle shows only the starred ones.
Stream or Download
All 45 packs are playable the moment you open the app. Sounds stream on demand, so you can audition the entire library before downloading anything. Download the packs you keep and they play offline.
Search
One field searches sound names, packs and tags at once. Every result carries its pack, duration and full tag list
Stream or Download
All 45 packs are playable the moment you open the app. Sounds stream on demand, so you can audition the entire library before downloading anything. Download the packs you keep and they play offline.
Search
One field searches sound names, packs and tags at once. Every result carries its pack, duration and full tag list
Tags
Pick a tag and the panel narrows to the tags that still appear alongside it, so you are able to find SFX for anything
Filters
Narrow results by pack, by duration, or to favorites only. History filters by date instead.
Tabs
Search several packs at once. Each search keeps its own tab, named after what you searched for and holding its own filters and selection.
Packs
Every pack is produced and mixed by our award-winning composer, with its own (human-made) artwork, description, sound count and total runtime. New packs arrive regularly and sync in the background.
Favorites
Favorite a sound from a pack, a search or your own imports and it collects in Favorites. One toggle shows only the starred ones.
One-click Sync
Every sound carries a hand-picked Cue Point™ marking its impact. Add drops a sound at your playhead with the cue on that frame. Swap replaces a clip where it sits. Cue layers another sound onto the same moment. Set an Auto-Mix range and nothing lands at 0 dB dead center.
Auto-Mix
Set a volume and pan range once and everything you place lands inside it. Each parameter has its own switch, so you can randomize pan and leave volume alone.
Add
Every sound carries a hand-picked Cue Point™ marking its impact. Add drops the sound on the next free audio track with that cue landing on your playhead.
Swap
Wrong sound? Select the clip, pick another, hit Swap. The clip is replaced where it sits with its Cue Point™ on the same frame. No re-trimming, no nudging.
Add
Every sound carries a hand-picked Cue Point™ marking its impact. Add drops the sound on the next free audio track with that cue landing on your playhead.
Swap
Wrong sound? Select the clip, pick another, hit Swap. The clip is replaced where it sits with its Cue Point™ on the same frame. No re-trimming, no nudging.
Cue
Cue layers another sound onto a new track, aligned to the same Cue Point™ as the clip you have selected.
Auto-Mix
Set a volume and pan range once and everything you place lands inside it. Each parameter has its own switch, so you can randomize pan and leave volume alone.
Mixing
Every sound in your comp is a point in a dome, where distance from the center is volume and angle is pan. Drag a point and the clip on your timeline follows.
Audio Skins
Turn on Audio Skins and the selected sound draws lines to the ones before and after it, with arrows showing which way the mix is moving.
Constellation™
Your whole project becomes a constellation. Every sound takes a place in the field, and mixing is a matter of moving through that space until everything sits where it should.
The Project List
Every sound you’ve placed, with its volume on a slider and its pan on a knob, reading out in dB and degrees. Sort by any column, search within the comp, and select rows to mix them as a group.
Constellation™
Your whole project becomes a constellation. Every sound takes a place in the field, and mixing is a matter of moving through that space until everything sits where it should.
The Project List
Every sound you’ve placed, with its volume on a slider and its pan on a knob, reading out in dB and degrees. Sort by any column, search within the comp, and select rows to mix them as a group.
Auto-Mix & Distribute
Select the sounds, set a volume and pan range, and preview it as a wedge on the dome before you commit. Auto-Mix randomizes inside the range; Distribute spreads the selection evenly across it.
Audio Skins
Turn on Audio Skins and the selected sound draws lines to the ones before and after it, with arrows showing which way the mix is moving.
Thousands of searchable tags.
Your Packs
The 15,000 sounds are ours. Everything else is yours: import a folder of your own audio, tag and rename it inline, build packs for a project, and export one to hand to whoever is finishing the job.
History
Every sound you Add, Cue or Swap is written to History with the date it was used.
Import a Folder
Pick a folder of your own audio and Boombox builds a custom pack out of it, sitting alongside the 45 that ship with the app.
Export Packs
Any pack you build exports as a single file and imports again anywhere, tags and Cue Points™ intact.
Import a Folder
Pick a folder of your own audio and Boombox builds a custom pack out of it, sitting alongside the 45 that ship with the app.
Export Packs
Any pack you build exports as a single file and imports again anywhere, tags and Cue Points™ intact.
Favorites
Favorite the sounds you keep coming back to and find them again in the Favorites tab.
History
Every sound you Add, Cue or Swap is written to History with the date it was used.
Fits Your Setup
Boombox connects to After Effects, Premiere Pro, Audition and DaVinci Resolve, full-size beside your edit or docked as a narrow plugin panel. Preview volume matches After Effects dB exactly, and switching sounds no longer pops.
Preferences
A complete set of preferences and settings to customize Boombox to the way you work.
Plugin Mode
Run Boombox full-size beside your edit, or shrink it to a single column that fits a plugin dock. Toggle the tag panel and the Duration, Pack and Favorite columns, scale the UI, or drag a sound straight onto the timeline.
Preferences
A complete set of preferences and settings to customize Boombox to the way you work.
Plugin Mode
Run Boombox full-size beside your edit, or shrink it to a single column that fits a plugin dock. Toggle the tag panel and the Duration, Pack and Favorite columns, scale the UI, or drag a sound straight onto the timeline.
Preferences
A complete set of preferences and settings to customize Boombox to the way you work.
Users say
“Boombox has been a vital part of my motion graphics workflow for the last 5 years. In this time, it's only become stronger and even more vital to my projects. The library has grown considerably and it is dumbfoundingly easy to use. It's surprising that BB isn't a native feature of the software to begin with. Fine work, team!”
Dustin Veitch
“Boombox helps me a lot to be faster and delivery videos to my customers”
@coleta1994
“Boombox has become an indispensable tool in my motion design and content creation toolkit. As a professional animator, I use After Effects every day, and Boombox seamlessly enhances my projects with its comprehensive sound design toolkit and expansive audio library. Saving me valuable time and elevating the overall production value of my work. Whether I'm crafting dynamic animations or engaging promotional content, Boombox consistently delivers in streamlining my workflow. I recommend Boombox to fellow animators and motion designers—it's a game-changer that adds a new dimension to creative storytelling.”
Mateo Baldasare @mateobaldasare
“Boombox has become an indispensable tool in my creative process. With its seamless integration into Premiere, I find myself using it for almost every project I work on. The intuitive interface saves me a considerable amount of time, allowing me to focus on the artistry of my work. I find myself reaching for Boombox even over much pricier and bigger professional libraries, as its sounds are incredibly versatile and of exceptional professional quality. The diverse array of sounds in their library has truly elevated the quality of my projects”
Daniel Fainberg, sound designer
“We were a growing motion graphics studio who really needed to step up our audio game quickly - this was an invaluable arrow in our quiver!”
Video Producer Sam, B2B Creative Agency
“Enjoy using Boombox. It is easy and flexible, and it also contains thousands of sounds”
montaser abdullatif
“I am a creative by day and an experimental animator by night. Boombox has made finding and adding sounds so much easier. There's a lot of good stuff in those packs.”
Nix
“I've been using Boombox for years now and it makes creating videos a lot easier than before. My videos are now much more engaging and people love them!”
@O's Fun Planet
“I try to use Boombox every time i am working on mograph and 3d video. Mostly i got all needed sound, but sometimes there is no some simple things like thunder or door, or chain. Maybe it's problem of searching engine, i don't know. But every sound which is in library got very good quality.”
Dartr Nemec
“Boombox is my go to source for sounds when working in AE. The easy licensing, user friendly UI, and large library of various sounds make it well worth the price.”
Zac @ zac landry designs
“Boombox is an incredibly handy tool to have, and with its wide variety of sound packs, I've always been able to find what I needed.”
pprmint.
“Boombox is an incredible diverse library that will have you covered for 99% of sounds you ever need. They sounds are pretagged and in libraries that make esnes and the sounds are top notch. I use this plugin more than anything in AE. SO good and at that price i am so thankful for Mt mograph and Boombox.”
Ben H
“Boombox saved me so much time doing sound design. Everything is right inside Premiere, rather than roundtripping out to an SFX library site, listening, downloading, importing, testing, purchasing, re-downloading and replacing...FOR EVERY SINGLE SOUND. Boombox is an incredible idea and a great execution on that idea. Gamechanger.”
Chris Lones - Lones Productions
“Boombox is a Boom in a Box”
Mika @ VeryVertical
“Boombox made it fun adding and arranging sound within After Effects.”
René Andritsch
“Boombox is an absolutely essential part of my sound design process. Well stocked with a wide variety of sounds, intuitive controls and speedy as all get out. Boombox is the mic drop of audio.”
Josh Makes Motion
“I've used Boombox on several proffesional projects, and it's been a tremendous help with adding creative and foley sound to my projects. I think this is such a great addition to have in your creative workflow.”
Oskar H. Freelance Motion Design & Video Editor
“All of three are huge time-savers, once you get comfortable it can save hours.”
“Boombox has such a versatile sound library that I can build upon to create more complex sounds. I most often use this more than what the client could provide.”
TKP
“I am from Mongolia using boombox since 2020, it is essential tool for creating value to my animations make it more understandable to consumers.”
Gen Z LAB
“Saves a lot of time and money.”
Ibrahim BAM
“I use Boombox on every project! Commercial, Fiction and Non-Fiction. The quality of the sound makes me a better editor and having everything right there on the software, while also copying the files to my project folders, makes the process easier and faster!”
Luisa Piña
“I love using Boombox. It's so convenient to have a large sound effects library right in Premiere. So easy to find and add sound effects for all of my projects.”
Kit Sinclair - Freelance Motion Designer
“I use boombox regularly and very happy with it....it gives me at least the ability to create reference sound for the sound designer inside AE. It's a game changer!”
Sam Pak
“Boombox made it easy and fun to add sounds to my animation and video. I can now offer this additional service and it was very easy to add in to my work flow.”
Colwin Egenolf