Boombox
visual audio mixing& extensive sfx library
Trusted worldwide in production workflows
45 packs & counting.
2,000+ searchable tags.
15,000+ sound effects.
Listen to all packs
The Library
45 packs, 15,000+ sounds, 2,000+ tags, and every one of them plays before you download a thing. Sounds stream on demand, so you can audition the whole library first and only download the packs you keep.
Favorites
Favorite a sound from a pack, a search or your own imports and it collects in Favorites. One toggle shows only the starred ones.
Stream or Download
All 45 packs are playable the moment you open the app. Sounds stream on demand, so you can audition the entire library before downloading anything. Download the packs you keep and they play offline.
Search
One field searches sound names, packs and tags at once. Every result carries its pack, duration and full tag list
Stream or Download
All 45 packs are playable the moment you open the app. Sounds stream on demand, so you can audition the entire library before downloading anything. Download the packs you keep and they play offline.
Search
One field searches sound names, packs and tags at once. Every result carries its pack, duration and full tag list
Tags
Pick a tag and the panel narrows to the tags that still appear alongside it, so you are able to find SFX for anything
Filters
Narrow results by pack, by duration, or to favorites only. History filters by date instead.
Tabs
Search several packs at once. Each search keeps its own tab, named after what you searched for and holding its own filters and selection.
Packs
Every pack is produced and mixed by our award-winning composer, with its own (human-made) artwork, description, sound count and total runtime. New packs arrive regularly and sync in the background.
Favorites
Favorite a sound from a pack, a search or your own imports and it collects in Favorites. One toggle shows only the starred ones.
One-click Sync
Every sound carries a hand-picked Cue Point™ marking its impact. Add drops a sound at your playhead with the cue on that frame. Swap replaces a clip where it sits. Cue layers another sound onto the same moment. Set an Auto-Mix range and nothing lands at 0 dB dead center.
Auto-Mix
Set a volume and pan range once and everything you place lands inside it. Each parameter has its own switch, so you can randomize pan and leave volume alone.
Add
Every sound carries a hand-picked Cue Point™ marking its impact. Add drops the sound on the next free audio track with that cue landing on your playhead.
Swap
Wrong sound? Select the clip, pick another, hit Swap. The clip is replaced where it sits with its Cue Point™ on the same frame. No re-trimming, no nudging.
Add
Every sound carries a hand-picked Cue Point™ marking its impact. Add drops the sound on the next free audio track with that cue landing on your playhead.
Swap
Wrong sound? Select the clip, pick another, hit Swap. The clip is replaced where it sits with its Cue Point™ on the same frame. No re-trimming, no nudging.
Cue
Cue layers another sound onto a new track, aligned to the same Cue Point™ as the clip you have selected.
Auto-Mix
Set a volume and pan range once and everything you place lands inside it. Each parameter has its own switch, so you can randomize pan and leave volume alone.
Mixing
Every sound in your comp is a point in a dome, where distance from the center is volume and angle is pan. Drag a point and the clip on your timeline follows.
Audio Skins
Turn on Audio Skins and the selected sound draws lines to the ones before and after it, with arrows showing which way the mix is moving.
Constellation™
Your whole project becomes a constellation. Every sound takes a place in the field, and mixing is a matter of moving through that space until everything sits where it should.
The Project List
Every sound you’ve placed, with its volume on a slider and its pan on a knob, reading out in dB and degrees. Sort by any column, search within the comp, and select rows to mix them as a group.
Constellation™
Your whole project becomes a constellation. Every sound takes a place in the field, and mixing is a matter of moving through that space until everything sits where it should.
The Project List
Every sound you’ve placed, with its volume on a slider and its pan on a knob, reading out in dB and degrees. Sort by any column, search within the comp, and select rows to mix them as a group.
Auto-Mix & Distribute
Select the sounds, set a volume and pan range, and preview it as a wedge on the dome before you commit. Auto-Mix randomizes inside the range; Distribute spreads the selection evenly across it.
Audio Skins
Turn on Audio Skins and the selected sound draws lines to the ones before and after it, with arrows showing which way the mix is moving.
Thousands of searchable tags.
Your Packs
The 15,000 sounds are ours. Everything else is yours: import a folder of your own audio, tag and rename it inline, build packs for a project, and export one to hand to whoever is finishing the job.
History
Every sound you Add, Cue or Swap is written to History with the date it was used.
Import a Folder
Pick a folder of your own audio and Boombox builds a custom pack out of it, sitting alongside the 45 that ship with the app.
Export Packs
Any pack you build exports as a single file and imports again anywhere, tags and Cue Points™ intact.
Import a Folder
Pick a folder of your own audio and Boombox builds a custom pack out of it, sitting alongside the 45 that ship with the app.
Export Packs
Any pack you build exports as a single file and imports again anywhere, tags and Cue Points™ intact.
Favorites
Favorite the sounds you keep coming back to and find them again in the Favorites tab.
History
Every sound you Add, Cue or Swap is written to History with the date it was used.
Fits Your Setup
Boombox connects to After Effects, Premiere Pro, Audition and DaVinci Resolve, full-size beside your edit or docked as a narrow plugin panel. Preview volume matches After Effects dB exactly, and switching sounds no longer pops.
Preferences
A complete set of preferences and settings to customize Boombox to the way you work.
Plugin Mode
Run Boombox full-size beside your edit, or shrink it to a single column that fits a plugin dock. Toggle the tag panel and the Duration, Pack and Favorite columns, scale the UI, or drag a sound straight onto the timeline.
Preferences
A complete set of preferences and settings to customize Boombox to the way you work.
Plugin Mode
Run Boombox full-size beside your edit, or shrink it to a single column that fits a plugin dock. Toggle the tag panel and the Duration, Pack and Favorite columns, scale the UI, or drag a sound straight onto the timeline.
Preferences
A complete set of preferences and settings to customize Boombox to the way you work.
Users say
“Boombox is a must for any motion designer or video editor. The ease of adding sound to my projects makes it so that I sound design even quick turn projects now.”
Colt, motion designer
“I used to store a bunch of sound effects in random folders on my computer, and searching for things was a nightmare, and it made sound design extremely tedious. Then I became enlightened and started using Boombox. I can now whip through sound design in a fraction of the speed, I get the very rare but oh-so-welcome "client note" on the sound design where it's actually just a compliment, and the overall process is now quite enjoyable!”
Casey at Peer Through Media
“Boombox is great extension that is a big step toward solving a tedious problem in motion design.”
Taylor Northrup Loyd
“I am a motion designer, and have worked as the sole video person on the in-house design teams I've been on for the last 6 years. So I don't consider myself a true sound designer, but do it myself as I don't generally have budget to hire that out. This is the most essential, groundbreaking, game changing piece of software I've used in sound design. It has completely revolutionized the way I do sound design and I absolutely love it. I've gone from a folder of 20k+, unorganized, and annoying to search sound effects, to completely archiving that and relying entirely on this. The quality of sounds, the ease of navigation, the panel directly inside my application. It can't be beat.”
David Lund
“Adding sound and sound effects and having them in order is now easy! I really do recommend boombox to anyone that uses sound in their animations!”
Tau.today
“The versatility is insane, every project I've worked on has at least one boombox sound. Quick UI mockup? Boombox. Character animation in a cutesy cafe? Boombox. Weird artsy motion graphics themescape? Boombox.”
Sam L.
“Once I got boombox I now cant go back. I used to comb through freesound.org and now its a quick search and import”
Steve
“If you want your animations to sound cool and you want to save you money and sanity get BOOMBOX. all inside AE. all sounds you need and it gets updated all the time!!”
Tasos Mpougkis
“Last week a client asked if it was feasible to add sound design to a mograph ad we're working on. I did it using Boombox and turned it around same day, making extra cash on the project without even leaving After Effects.”
Luis Medrano @ COLORAMA.TV
“When I need to add sound effects to a project my starting point is always Boombox Motion”
Paulplow
“Whenever I want to add sound fx to a project, Boombox is always my very first stop. Its integration with AE is top drawer.”
Daniel
“I use this plugin EVERY SINGLE day as an editor. Game changer for me.”
Harveygibson.uk
“Boombox is essential for fast paced production environments. It gives instant access to an incredible library of useful sounds to enhance your work.”
Zach - Exposure Video
“Boombox has been a vital part of my motion graphics workflow for the last 5 years. In this time, it's only become stronger and even more vital to my projects. The library has grown considerably and it is dumbfoundingly easy to use. It's surprising that BB isn't a native feature of the software to begin with. Fine work, team!”
Dustin Veitch
“Boombox has been a huge timesaver in my workflow. It's great that i can add my own sounds from other libraries.”
Corner Store
“I am a creative by day and an experimental animator by night. Boombox has made finding and adding sounds so much easier. There's a lot of good stuff in those packs.”
Nix
“Boombox is always coming in clutch with the sfx to make the reaction from people seeing the animations from "nice" to "damn!!!" It helps add life to an animation and push it to the next level.”
Tsuriel.co
“Although I don't do SFX often, when I do I'm mighty glad Boombox exists. Knowing I have a huge library of high quality sounds right at my fingertips is always a relief!”
Latham Arnott
“Boombox helps make my animation stand out. Sound makes videos much more engaging, and with Boombox, adding SFX is quick and easy.”
Marysia
“BoomBox has quickly become my favorite way to do sound design. I love the selection of sounds and how they are organized in a way that makes sense for motion designers like me. I rarely have to open other libraries these days!”
Timo @ Flying Colors
“What Mt. Mograph has done with all their plugins is unseen anywhere else. Boombox is another one of their plugins that exceeds and redefines expectations of what your software, and you, can do and the time you can do it in! Clean UI, seamless integration and great, professionally polished sound packs included in the box; it's worth its weight in gold many times over!”
Izzy R. @ Hototo Films
“Boombox is an incredible diverse library that will have you covered for 99% of sounds you ever need. They sounds are pretagged and in libraries that make esnes and the sounds are top notch. I use this plugin more than anything in AE. SO good and at that price i am so thankful for Mt mograph and Boombox.”
Ben H
“Boombox is an incredible tool with a huge repertoire that's updated frequently, and it's very useful for projects where I don't have the budget to hire a sound designer. The sounds are of excellent quality and really well thought-out for motion design.”
@animai.motion
“I've found Mt. Mograph plugins to be absolutely essential to my workflow. I've saved so much time and found new ways to create thanks to them!”
Jacob W @ Faceplant Creative
“Boombox makes adding SFX fun and the ability to explore sounds so easily lets your creativity roam in the editor.”
Billy Wood